This thesis attempts to convey spatial experiences through the plan by re-purposing (reconceptualizing, re-imagining) quintessential modernist examples of the twentieth century that were designed with the free plan and their own, already known, volumetric characteristics.
The attempt is to challenge the notion of a plan by revisiting ambiguity in architecture through a close reading of traditional representation. This project is a radical exploration of the plan. This project is questioning the free plan. Free to misread, free to reuse, free to still and free to question the status quo of the plan in architecture.
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